What has two years of covid-19 done to the people of Rotterdam University of Applied Sciences? In the documentary film Connected by Distance students, teachers, and staff open up.

De Warren follows a group of millennials during the creation of a housing cooperative that aims to be sustainable, social, and affordable. The project is ambitious: it is the first of its kind in the Netherlands, and within the group of young residential pioneers, nobody has ever built a house before.

Years after her recovery, artist Annick notices that her illness is still affecting her. She talks with fellow survivors of childhood cancer about the mental and physical consequences, and visualises these conversations in an artistic way.

An introverted millennial goes on a holiday with his sister’s artist group where he is challenged to push his boundaries. Can he hold his own against the group and their manifestation of colours, cries, sexual gestures, and creative excesses?

After leading a volunteer organization at a refugee camp for three years, Bogdan returns to the mainland to start a new life. Is he able to let go of his old life?

In the year 2100, a filmmaker interviews his grandfather about what happened with the climate. The viewer decides the outcome, exploring different scenarios.

Spring of 2020: the coronavirus has driven people into their homes, leaving the streets of Amsterdam deserted. Like a ghost we drift—or rather, since this is the Netherlands, we cycle—through squares, bridges, and shopping alleys that were once notorious for their crowds.

Afraid that she will vanish if she isn’t seen by others, a woman hires a stalker to photograph her daily life.

One by one, audience members are led into a fragile dome that feels as if it were submerged to the bottom of the ocean. They are instructed to lie down on the bed and to let the visuals, soundscapes and voice-overs wash over them.